Select the Layer Mask and hit CTRL or CMD + I to Invert the Layer Mask. Since we want to fill the text with gradients for animation, we need the opposite of what the Layer Mask is showing us. Once created, Photoshop loads the selection of the text into the Layer Mask and we’re left with our text in black on a transparent background! But that’s not quite what we want. With the text selection active, create a Solid Color Fill Adjustment Layer and choose black as the color. That means the selected areas, the text, will be white on the Layer Mask (visible), and then areas not selected, the background of the text, will be black on Layer Mask (invisible). Whenever you have an active Selection and you then create a new Layer, Photoshop automatically loads that Selection into the Layer Mask of the new Layer. With our new Selection active, we can easily convert this into a Layer that can be adjusted and colored like any other. You’ll see the recognizable ‘marching ants’ indicator that a selection has been made and, in this case, it’s selected the pure white text (Remember that Photoshop will always select lighter areas by default when converting a Channel or Layer Mask into a Selection.) To convert a Channel into a Selection, simply hold CTRL or CMD and click on the copy of the Green Channel we created. There we go! Now the background is pure black, the text is pure white, and we’re ready to turn this distinct area of contrast into a selection. Move it until the majority of the background is black. This tells Photoshop to register any pixels to the left of the slider as pure black.Īs you move the slider, you’ll see those dark grays turn into black. So, within the Levels Dialog, click on the slider for the black point and drag it from the left to the right. We need those dark grays of the background to become pure black. Levels gives us the ability to dial in the highlights and shadows, and white points and black points, in an image. To do this, first Duplicate the Green Channel (You don’t want to make any adjustments to the original color channels as it will distort the image when you go back to the Layers view.) Select the copy of the Green Channel and hit CTRL or CMD + L to open up the Levels Dialog.
Since the text is already white, we’ll be focusing on getting the background as dark as possible. With this in mind, we need the text to be pure white and we need the background to be pure black. If you’re familiar with other Photoshop selection and masking tools, pure white usually signifies an area that is either visible or selected and pure black signifies an area that is not visible or not selected. Now that we’ve identified the Channel that will help us select the text, we need to exaggerate the contrast even more. In this instance, the green channel has the most contrast between light (the text) and dark (the background). That is to say, the color channel where the text appears bright white, and the background appears as close to black as possible. We need to identify the color channel that has the most contrast between the text and the background. You’ll see a breakdown of the different color channels in the image red, green, and blue.
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Take an in-depth look into every major selection tool, including Channels, in How to Remove Backgrounds in Photoshop.Īfter loading the image, click on the Channels Tab in the Layers Panel. Since text will usually be set to a color that helps it stand out from the background, in this case pure white, contrast is a great way to get an accurate selection.Ĭutting things out in Photoshop is an essential skill no matter what kind of images you create.
So how do we get rid of it? We’re going to use Channels, one of the most precise selection tools in Photoshop, to cut it out! Channels works wonderfully in situations like this because it allows us to make selections based on the contrast in an image. Here we have some type that we want to use but we don’t want the red background. The image we’re using is a perfect example: Sometimes you’ll want to use some custom-designed text, or maybe even a logo, but you only have an image that uses it over top of another background image. Well, let’s show you! Cutting out Text with Channels Instead, we wanted to use this opportunity to teach you a skill that can come in handy when you need to solve this particular problem: how do you cut out out text or a design that is baked into another image? The simplest would have been to just use the Type Tool to type our own message and then apply whatever other effects and adjustments we wanted. Now, we could have approached the text in a number of different ways. As we mentioned, this first episode is focused on creating text and a custom gradient in Photoshop, both of which we’ll bring into After Effects for animation in the second episode.
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